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A young Iranian-American journalist returns
to Tehran and discovers not only
the
oppressive and decadent life of her Iranian counterparts who have grown
up since the revolution, but the pain of searching for a homeland that
may not exist.
As far back as she can remember, Azadeh
Moaveni has felt at odds with her tangled identity as an
Iranian-American. In suburban America, Azadeh lived in two
worlds. At home, she was the daughter of the Iranian exile community,
serving tea, clinging to tradition, and dreaming of Tehran. Outside, she
was a California girl who practiced yoga and listened to Madonna. For
years, she ignored the tense standoff between her two cultures. But
college magnified the clash between Iran and America, and after
graduating, she moved to Iran as a journalist. This is the story of her
search for identity, between two cultures cleaved apart by a violent
history. It is also the story of Iran, a restive land lost in the
twilight of its revolution.
Moaveni's homecoming falls in the heady days of the country's
reform movement, when young people demonstrated in the streets and
shouted for the Islamic regime to end. In these tumultuous times, she
struggles to build a life in a dark country, wholly unlike the luminous,
saffron and turquoise-tinted Iran of her imagination. As she leads us
through the drug-soaked, underground parties of Tehran, into the
hedonistic lives of young people desperate for change, Moaveni
paints a rare portrait of Iran's rebellious next generation. The
landscape of her Tehran — ski slopes, fashion shows, malls and cafes —
is populated by a cast of young people whose exuberance and despair
brings the modern reality of Iran to vivid life.
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Azadeh Moaveni
grew up in San Jose and studied politics at the University of
California, Santa Cruz. She won a Fulbright fellowship to Egypt, and
studied Arabic at the American University in Cairo. For three years she
worked across the Middle East as a reporter for Time Magazine,
before joining the Los Angeles Times to cover the war in Iraq.
She lives in Beirut.
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A note from Azadeh
Moaveni
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I was born in Palo Alto, California, into the lap of an Iranian
diaspora community awash in nostalgia and longing for an Iran many
thousands of miles away. Five years ago, I moved to Tehran as a
reporter, and watched my exile fantasies dissolve. I found an Iran
that was culturally confused, politically deadlocked, and
emotionally anguished, a society engaged in a visceral struggle over
the fate of the Islamic Revolution. As an Iranian living this
turbulent time, I felt permanently frustrated that my articles for
the American media could not capture how Iranians were experiencing
the transformations in their society. The rich panorama of Iranian
life, its edgy underground, and stormy, shifting moods, spilled
outside the frame of news. |
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I wanted to explore the
psychologies of young people —demographically, the country's future
— and illustrate the kitsch, hedonism, and despair that underpinned
their rebellion against the Islamic system. In the Iran that I knew,
young people were not victims. I wanted to write something that
reflected that, in a voice anchored in an emotional present tense.
The young generation taught me that in order to unlock the mystery
of Iran — how nothing perceptibly alters, but everything changes —
you must live an approximation of a young Iranian's life. That is
why I cannot write about them without writing about myself. That is
why this is both their story, and my own.
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